Art News
Rory Lewis's best photograph: David Cameron looks back without regret
‘I took this a year after he resigned. Did I sense any regret about the situation he’d left behind? Not really’
Read more » | Desktop version »Antony Gormley’s statue is the new flasher of Folkestone | Brief letters
Brief letters: Healthcare for all | Books | Ofsted | Markeaton footbridge | Antony Gormley | Elderly drivers
Read more » | Desktop version »Beatrice Gibson – can kids, disco and poetry fix the world's turmoil?
From panic attacks and political chaos to a letter to the unborn, video artist Gibson’s intense films present a kaleidoscope of our fears – while her six-year-old offers a live “afternoon of mayhem”
Read more » | Desktop version »Back to the art cave! Inside Switzerland's magical new gallery
With its grottos, stalactites and walls blasted from rock, the Muzeum Susch is like a Bond villain’s secret lair. Our writer steps inside this geological marvel
Read more » | Desktop version »National Portrait Gallery to face new direction with revamp
Redeveloped entrance will point towards Soho, despite wishes of a Victorian donor
Read more » | Desktop version »'It's something very precious': painting oceans to showcase climate change
As part of a 20-year-project, artist Danielle Eubank is travelling the world to paint every ocean to show the damaging effects humanity is having on the environment
Read more » | Desktop version »Michelangelo makes mincemeat of soggy Bill Viola – review
Michelangelo’s vivid, vital drawings are well worth looking at, preferably unaccompanied by the empty spectacle of Viola’s video installations
Read more » | Desktop version »Twist and shout: is this the Tate Modern for classical music?
Diller Scofidio + Renfro’s timber-and-glass vision for a new Centre for Music in London aims for great heights – but might not exactly reach them
Read more » | Desktop version »Mehretu's furious scrawls bite deeper than Bourgeois's spiders – review
In these two contrasting solo shows, Julie Mehretu’s great and tragic introspections speak starker truths that Louise Bourgeois’s trite and silly images
Read more » | Desktop version »Pierre Bonnard review: monumental, monstrous – and rubbish at dogs
Tate Modern, LondonAwash with colour and full of fidgety brushwork, Bonnard’s paintings range from the terrific to the scrappy. Why do people love him so much?
Read more » | Desktop version »Bauhaus at 100: the revolutionary movement's enduring appeal
Sleek, pared-back, industrial elegance – that’s how most of us think of Bauhaus, the modernist design group born in Germany in 1919. But that was only one side of this short-lived but longlasting movement…
Read more » | Desktop version »The big picture: siesta in a hammock shop
Paul Trevor’s photograph of a sleeping shopkeeper in 80s Mexico is part of his ongoing collection featuring people napping
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